in the late 80s, guys like me and Denny and McGrath were all just starry-eyed, young punks compared to the big players, all sniffing around JKD, JKD Concepts and FMA.
McGrath absorbed all that Peketi-tersa material to the dedicated extreme and hung in there as a Peketiti follower until...until...his common sense could no longer bear it. I have to support his break from the group because I understand why on various levels.
Time has shown me that McGrath is a good guy and talented guy, dedicated to FMA. And he was smart enough to make some good choices with his FMA life. (I have never met him but we have communicated for years now.) I wish him well. Does he still do the exact, confusing, and disjointed pile of Gaje, sub-system upon sub-system material as it was? I don't know. (I find it all utterly dense and whimsically unnecessary)
I call Leo Gaje...Gandolph the Magician (from Lord of the Rings) I once saw him in a seminar take a pair of handcuffs, and a guy punched a jab and a cross at him. Pretty darn fast. I saw Leo cuff the jab, twist a bit and cuff the cross. WHEW! Gandolf! Amazing. Problem with this is...he tried to teach this kind of magic to police and regular citizens?
99.99999% of the population cannot do it. We are not Gandolf. This blind attitude and approach is a tragic flaw as an instructor. Gandolff is cool, but useless to me. Well, I won't go on about all that. Not appropriate.
ALL FMA could be synthesized into such an easier format, a workable and digestable package, but that common sense is of little matter to a real FMA guy, who, with starry-eyes, looks for a museum collection of complicated extravaganza. Lovers of the prance and dance, if the looseleaf, training manuals aren't at least three feet tall? The FMA artist is somewhat disappointed, and the art is scoffed as "McArnis."
As I have said here many times here in this forum, Dan Inosanto, Leo Gaje and Remy Presas toured this country in the 80s and early 90s and made Filipino MA something. Everyone else on the road was a little-leaguer. And still is a little leaguer. The Canates of Doce Paras toured too, but the big three I mentioned were the real big ambassadors of the art, seeing thousands a of people a year. Perhaps Edgar Saluite of Lameco could have been bigger, but he hated to fly and travel.) That hollowed ground, that impact will never be recovered again. (Only Dan remains, like an Elvis of FMA)
Hock